Much to my mother’s consternation, I swear. A lot.
It’s not her fault. She tried—still does, as a matter of fact—to get me to stop cursing, but it just didn’t take. Personally, I think it functions like a release valve on my brain, letting off some of the emotional pressure. And considering what some people say that’s not technically swearing but far more hurtful—“that’s so gay” is a phrase I particularly fucking hate—I think the world can deal with my occasional scatological reference. To me, the fucks, goddamns, and bloody hells are like chili peppers: not to everyone’s taste, but I like the bite they provide.*
In writing, though, I take it a little differently. Not writing here, obviously; this blog is as close an approximation to how I think and speak as I can get pixels racing across your screen to provide. But when writing fiction, my use of what my father refers to as Industrial Strength Language** is more…thoughtful. I was going to write ‘restrained’ there, but that’s not true; there are stories where I swear enough to make the page burn. It’s just not the reflex action it is when I speak.
I once read the following quotation attributed to Mark Twain***: “Substitute ‘damn’ every time you’re inclined to write ‘very’; your editor will delete it and the writing will be just as it should be.” However, all this did was make me say ‘damn’ an awful lot. And I’d argue that sometimes you need that intensifier to get the message across. Just use it intelligently.
Using swear words in fiction is just like using any other fucking words: they must serve a purpose. Whether that purpose is defining character, intensifying speech, or otherwise adding the delightful spice of profanity to the bland oatmeal of a scene, it needs to work. You wouldn’t use the words ‘grapefruit’ and ‘twiddle’ repeatedly for no reason, would you?**** ‘Shit’ and ‘fuck’ are no different.
You should also consider your audience, especially if you’re writing for submission to an anthology, magazine, or other market that has clear limits on what can and cannot be included. Don’t shoot yourself in the foot for the sake of ‘authentic voice’ or whatever bullshit word people are using these days to avoid editing. If the cursing serves a definite purpose, then keep it; otherwise, cut it like you would any other word that wandered into the wrong place at the wrong time.
And if you keep all the swearing, maybe don’t let your mom read it.
*I always imagined this as coming in a 55-gallon metal drum covered with warning labels.
**Unless I’m angry, oddly enough. I’ve noticed that the angrier I am, the less I swear. So, if I ever speak to you like a nineteenth century school marm, run.
***Some checking on the internet, however, did not reveal the source text. If anyone knows where it came from, or if it’s entirely misattributed, let me know. The picky, paranoid academic in me finds the lack of evidence…disturbing. ****Though “you twiddling grapefruit” does have a certain ring to it as a curse.
13 thoughts on “How To Offend Your Mom: Using Swearing In Writing”
I’m not sure “twiddling grapefruit” counts as a curse. When I first read it, I thought it referred to some sexual practice. Although, how one would “twiddle the grapefruit” is beyond me. It sounds gratifying, but I don’t know why…
I’d say to Google it, but I have a feeling we’d both regret that.
I read an afterwards in a Dean Koontz book once that stated if he had an opportunity to re-write this (older) book, he’d do it with less cursing. And that irritated me enough to write a post about it. His characters were a bunch of teen/college aged kids in the eighties. I’d bet my husband’s left nut most of them actually DID swear a lot, with the exception of the one or two token “good kids.” To me, nothing is more irritating or disingenuous than a character who has just had something crappy happen to them and they explode with a …”Oh, crud!!” Characters pull a reader in, and if the characters seem fake, the reader will likely lose interest.
Does your husband know you’re using his junk as gambling stakes?
Why yes, yes he does. 😀 He’s used to it by now.
More on topic: I’d rather any sort of intensifier was left out entirely rather than go with a neutered version like “sugar” or “fudge” or any of that. Unless it’s part of the character’s verbal wardrobe deliberately, in which case it should be using sparingly and not with every character.
Which book was that?
Funhouse, I believe.
Letting your mum read your writing is sooooo gay, yo.
If you think anyone anywhere ‘lets’ my mother do anything, you are mistaken.
You do let her down (with your swearing), don’t you?
CHECK AND MATE.
It really is about purpose and moderation for me. I don’t mind swearing in my writing, but I usually don’t have a need for it. On the other hand when I talk to you the curse words will probably flow freely, especially after a few drinks. If I over do the swearing, just like the drinking, that’s when there’s problems.
The great thing is my mother swears like a sailor, so I’m safe. Now Grandma, that’s a different story. You say “shit” around her, and you’re in for a talking to.
When I was last home, my Nan made sure to introduce me to the bishop.